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Jewish Comedy: A Serious History
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Review
“A brilliant and groundbreaking book.†- Adam Kirsch, author of The People and the Books“Thoughtful.… Fascinating.†- Mark Horowitz, New York Times Book Review“A serious study, and most interesting at its most serious and obscure.†- Cathleen Schine, New York Review of Books“Both erudite and breezy.… Dauber’s breadth left me breathless and his depth left me in his debt.†- Adam Rovner, Forward“A serious and good philosophical work… that doesn’t consist entirely of jokes but has an awful lot of them in it.… Some of its jokes are laugh-out-loud funny, and some of them are poignantly beautiful.†- David Baddiel, Times Literary Supplement“An excellent new survey of Jewish humor from the Old Testament through Adam Sandler.†- Joseph Epstein, Weekly Standard“A comprehensive, accessible treatment of a complex subject. As the famous 1960s ad campaign for Levy’s rye bread told us, you don’t have to be Jewish to enjoy it.†- Harvey Freedenberg, BookPage“Hugely smart and hugely readable.… Here is a serious book full of the reasons Jewish humor is as funny and influential as it is, whether it’s a response to persecution or a social satire or intellectual or raunchy or ironic or folksy.†- Jeff Simon, Buffalo News“Sharp and wide-ranging.… Dauber finds comedy in unexpected places.†- Adam Wilson, Bookforum“This book is brilliant, endlessly revelatory, and Jeremy Dauber is that rare scholar and critic of real depth who doesn’t just make his subject accessible but animates it with the strength of his prose. He’s also one of the few writers I’ve encountered who can explain a joke without killing it. Bravo.†- Sam Lipsyte, author of The Fun Parts
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About the Author
Jeremy Dauber is the Atran Professor of Yiddish Language, Literature and Culture at Columbia University. He is the author of several books on Jewish literature, including In the Demon’s Bedroom: Yiddish Literature and the Early Modern, Antonio’s Devils: Writers of the Jewish Enlightenment and the Birth of Modern Hebrew and Yiddish Literature, and The Worlds of Sholem Aleichem, which was a finalist for the National Jewish Book Award. He lives in New York City.
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Product details
Paperback: 384 pages
Publisher: W. W. Norton & Company; 1 edition (October 23, 2018)
Language: English
ISBN-10: 0393356299
ISBN-13: 978-0393356298
Product Dimensions:
5.5 x 1 x 8.2 inches
Shipping Weight: 10.4 ounces (View shipping rates and policies)
Average Customer Review:
3.1 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#295,241 in Books (See Top 100 in Books)
More like a scholarly PhD thesis than a review for the general reader. Dry, but thorough. Not easy reading.
Long and, surprisingly, boring at times. It is truly an academic piece. As expected.
A few days ago my curiosity about all the million ways American humor comes from Jewish humor would not be quiet anymore and I thought to myself, surely some professor somewhere has written a history of the ways in which Jewish humor has developed in response to and in spite of the Jewish diaspora, antisemitism, quotidian life and love, and the new garbage far-right movements of politics. I searched "Jewish Comedy" and this is the book I was looking for. Very interesting.
A very well written, as it says 'serious' history of Jewish Comedy. Too serious, and often too much pretentious use of language, which required constant Wiki checks to verify meaning. It's obvious that someone smart wrote it, and there's nothing wrong with an exceptional vocabulary, but it detracted from the read. The 'comedy' is good. But I was expecting more representative examples of 'funny', rather than the scholarly employment of language to elevate the analysis. Granted, it is a 'history', and offers a bit more insight into our historic prevalence to humor as a survival skill...but...I'd prefer more of the humor, and less of the scholar. It improves once it starts dealing with the 20th century.
One supposes that a very erudite book could be written about “the orangeâ€. It’s history and it’s place among fruit of all kinds; it’s use in poetry and painting, and it’s varied and multiple facets. Then the fruit itself. Perhaps a chapter on its color, the discovery and history, through all ages, of the colors red and yellow, of their primacy, and how their mixture yields “orange†secondarily, and the possible meanings and implications of this. Perhaps a second chapter on the peel. How like, but unlike, skin and the metaphors and eroticism of skin. Then the sections, and the texture, and the juice...you get the picture. At the end of the day, in the excessive, idiosyncratic, and verbose dissection of the subject, you’ve dessicated the fruit so thoroughly that it has no flavor, no sweetness, indeed no “orangeâ€-ness. You have missed the essential “suchnessâ€of your subject.So it is with this book. Can there be a humorless book about humor? Surely, this book answers that question in emphatic affirmative. It stifles all humor in pseudo-insightful and unrelentingly eager efforts at being seriously academic and exhaustive. It is instead exhausting and finally, silly. To the extent that silliness is a component of humor, Jewish or otherwise, it succeeds. Perhaps that’s the joke!
Was a great gift for my 84yr old father.
Jeremy Dauber's history of Jewish Comedy is a tour de force. Yes, he's a brilliant scholar, but his book never loses sight of its appreciation and love of humor, as part of the human condition. His breath of knowledge and insights are staggering. For the ordinary reader, writings about humor generally are not very funny; but, Dauber's selection of topics and examples - including humor from biblical times to today's entertainment - is a real delight.
Scholarly, but boring.
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